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In 1971, when Brooks Atkinson wrote This Bright Land, the modern conservation movement was being driven by new awareness of science's shortcomings. The early conservation movement, built on John Muir and Henry David Thoreau's appreciation of nature, was well aware of man's ability to outstrip his environment, but until the 1960s society still trusted man's ingenuity to fix any problem, even as mankind willfully depleted his natural resources.H...

Brooks Atkinson's (1894-1984) long shadow fell on the Broadway theatre district for decades. He was a voice that kept the "Broadway" in Times Square, even when it appeared that the star of this Mecca of Entertainment would dim. Though Broadway changed over time in content and grandeur, his focus on the writing and the acting was clear and motivating for both the players and the audience. A "Brooks Atkinson" hoorah meant money for the producer ...

ALL COLOR INTERIORBrooks Atkinson's (1894-1984) long shadow fell on the Broadway theatre district for decades. He was a voice that kept the "Broadway" in Times Square, even when it appeared that the star of this Mecca of Entertainment would dim. Though Broadway changed over time in content and grandeur, his focus on the writing and the acting was clear and motivating for both the players and the audience. A "Brooks Atkinson" hoorah meant money...

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Sean O' Casey (1880-1964) was a celebrated but reclusive Irish playwright, writer, and individual. If you crossed him, you went on his enemies' list and suffered his wrath in writings and mutterings, whether public or private. In 1958 he banned all productions of his plays in Ireland when the Archbishop of Dublin refused to offer a votive mass at a festival in which works of his and James Joyce were being aired. However, he was also enigmatic,...

Sean O' Casey (1880-1964) was a celebrated but reclusive Irish playwright, writer, and individual. If you crossed him, you went on his enemies' list and suffered his wrath in writings and mutterings, whether public or private. In 1958 he banned all productions of his plays in Ireland when the Archbishop of Dublin refused to offer a votive mass at a festival in which works of his and James Joyce were being aired. However, he was also enigmatic,...

Pulitzer Prize winner and New York Times drama critic Brooks Atkinson (1894-1984) was not just a writer. Whether climbing or hiking to satisfy his need for nature or visiting other cultures to satisfy a need for adventure, Brooks was using his knack for observation to show a world of color, a world of wonder. Early in his career, he took the British freighter Cingalese Prince on an around the world tour, but not as a tourist but as a writer ad...

Pulitzer Prize winner and New York Times drama critic Brooks Atkinson (1894-1984) was not just a writer. Whether climbing or hiking to satisfy his need for nature or visiting other cultures to satisfy a need for adventure, Brooks was using his knack for observation to show a world of color, a world of wonder. Early in his career, he took the British freighter Cingalese Prince on an around the world tour, but not as a tourist but as a writer ad...

ALL COLOR INTERIORIn 1971, when Brooks Atkinson wrote This Bright Land, the modern conservation movement was being driven by new awareness of science's shortcomings. The early conservation movement, built on John Muir and Henry David Thoreau's appreciation of nature, was well aware of man's ability to outstrip his environment, but until the 1960s society still trusted man's ingenuity to fix any problem, even as mankind willfully depleted his n...

ALL COLOR INTERIORIn 1971, when Brooks Atkinson wrote This Bright Land, the modern conservation movement was being driven by new awareness of science's shortcomings. The early conservation movement, built on John Muir and Henry David Thoreau's appreciation of nature, was well aware of man's ability to outstrip his environment, but until the 1960s society still trusted man's ingenuity to fix any problem, even as mankind willfully depleted his n...

Brooks Atkinson's (1894-1984) long shadow fell on the Broadway theatre district for decades. He was a voice that kept the "Broadway" in Times Square, even when it appeared that the star of this Mecca of Entertainment would dim. Though Broadway changed over time in content and grandeur, his focus on the writing and the acting was clear and motivating for both the players and the audience. A "Brooks Atkinson" hoorah meant money for the producer ...

ALL COLOR INTERIORVery few men have had the impact on Broadway theatre as did Justin Brooks Atkinson, the drama critic of The New York Times from 1925-1960, and the winner of the Pulitzer Prize for foreign correspondence in 1947. Excepting four years as a foreign correspondent during WWII, for 31 years Mr. Atkinson's views in The Times were held in high regard by theatre-goers and industry producers, directors, playwrights, and actors, often m...

ALL COLOR INTERIORBrooks Atkinson's (1894-1984) long shadow fell on the Broadway theatre district for decades. He was a voice that kept the "Broadway" in Times Square, even when it appeared that the star of this Mecca of Entertainment would dim. Though Broadway changed over time in content and grandeur, his focus on the writing and the acting was clear and motivating for both the players and the audience. A "Brooks Atkinson" hoorah meant money...

Brooks Atkinson's (1894-1984)long shadow fell on the Broadway theatre district for decades. He was a voice that kept the "Broadway" in Times Square, even when it appeared that the star of this Mecca of Entertainment would dim. Though Broadway changed over time in content and grandeur, his focus on the writing and the acting was clear and motivating for both the players and the audience. A "Brooks Atkinson" hoorah meant money for the producer a...

ALL COLOR INTERIORBrooks Atkinson's (1894-1984) long shadow fell on the Broadway theatre district for decades. He was a voice that kept the "Broadway" in Times Square, even when it appeared that the star of this Mecca of Entertainment would dim. Though Broadway changed over time in content and grandeur, his focus on the writing and the acting was clear and motivating for both the players and the audience. A "Brooks Atkinson" hoorah meant money...

ALL COLOR INTERIORVery few men have had the impact on Broadway theatre as did Justin Brooks Atkinson, the drama critic of The New York Times from 1925-1960, and the winner of the Pulitzer Prize for foreign correspondence in 1947. Excepting four years as a foreign correspondent during WWII, for 31 years Mr. Atkinson's views in The Times were held in high regard by theatre-goers and industry producers, directors, playwrights, and actors, often m...