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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough...

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FREDERIC LORD LEIGHTON ---- By A. Lys Baldry ---- A study of the 19th century British artist Lord Leighton, known for his historical paintings, murals, sculptures, and landscapes. First published in 1908. Baldry's book looks at Leighton's art, his sculpture, his techniques, his artistic concepts, and his famous house in West London. Fully illustrated, with works by Leighton and many of his contemporary artists. ---- With a full colour cover. P...

MILLAISBy A. Lys Baldry A short introduction to the life and art of the Victorian painter John Everett Millais, one of the Pre-Raphaelite circle. Millais is best-known for his mythological and literary paintings, including Ophelia, the Knight Errant and the young Jesus. Fully illustrated in a brand new format, with illustrations from Millais' career, plus illustrations of some of contemporary artists of MillaisPainters Series. 92 pages. www.cr...

Reproduction of the original: Burne-Jones by A. Lys Baldry

Reproduction of the original: Burne-Jones by A. Lys Baldry

Reproduction of the original: Millais by A. Lys Baldry

Reproduction of the original: Millais by A. Lys Baldry

BURNE-JONES By A. Lys Baldry A short introduction to the life and art of the Victorian painter Edward Burne-Jones, one of the Pre-Raphaelite circle. Burne-Jones is best-known for his mythological and Arthurian works. Fully illustrated in a brand new format, with illustrations from Burne-Jones's career, plus illustrations of some of Burne-Jones's contemporary artists. Painters Series. 92 pages.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from LeightonAlmost always be traced between the temperament of an artist and the work that he produces. One of the first things that must be taken into account in any study of his achievement is the manner of his training during the most impressionable years of his.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...