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FICTION / Horror

Die Bücher des Blutes vom Meister des Horrors - vertrauen Sie nichts außer Ihrer Angst ... Sechzehn Kurzgeschichten aus der Feder des mit dem World Fantasy Award ausgezeichneten Autoren Clive Barker. Grausam, verstörend, blutig und wortgewaltig - seine Erzählungen sind Meilensteine der Horror-Literatur.

Rediscover the true meaning of fear in this collection of horror stories from New York Times bestselling author Clive Barker."The most provocative tales of terror ever published."-The Washington PostWith the publication of Books of Blood, Clive Barker became an overnight literary sensation. His tour de force collection of brilliantly disturbing tales demonstrated a genius for dark invention that rivaled Poe and Sade. He was hailed by Stephen K...

Full colour photographic companion to the cult "Hellraiser" movie sequence.

THE NEW YORK TIMES BESTSELLER"ONE OF THE BEST HORROR NOVELS IN A VERY LONG TIME...do not miss it!"-USA TodayThere are things worse than death. There are games so seductively evil, so wondrously vile, no gambler can resist. Amid the shadow-scarred rubble of World War II, Joseph Whitehead dared to challenge the dark champion of life's ultimate game. Now a millionaire, locked in a terror-shrouded fortress of his own design, Joseph Whitehead has h...

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In 1984 the Books of Blood by Clive Barker were published and quickly gained a following worldwide. Literary eminences like Stephen King noticed early on the creativity and powerful prose throughout the Books of Blood, bringing Clive Barker's stories to the forefront of horror fiction. One of these stories was "The Midnight Meat Train" following one Leon Kaufman as he discovers the origins of a series of grizzly subway train murders in New Yor...

The Scarlet Gospels takes readers back many years to the early days of two of Barker's most iconic characters in a battle of good and evil as old as time: The long-beleaguered detective Harry D'Amour, investigator of all supernatural, magical, and malevolent crimes faces off against his formidable, and intensely evil rival, Pinhead, the priest of hell. Barker devotees have been waiting for The Scarlet Gospels with bated breath for years, and i...

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This volume initiates a long-overdue reassessment of mid-twentieth-century British theatre cultures.

A masterly account of prehistoric farming and its potential to influence today's industrial farmers.

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language.

Provides an international forum where theatrical scholarship and practice can meet.

Cal Mooney ahnt nicht, was ihn erwartet, als er einer Taube zu einem halb verfallenen Haus folgt, das gerade geräumt wird. Ein kunstvoller Teppich hat es Cal angetan, und darin verborgen ist eine ganze Welt der Magie und Zauberei, deren Bewohner sich und ihr magisches Land einst selbst "eingewoben" hatten, um der Verfolgung durch das Böse zu entrinnen. Doch das Böse ist wieder auf der Suche nach ihnen, und ehe Cal sich versieht, wird er hinein...

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This bone-chilling novel, in which a medieval devil speaks directly to his reader-his tone murderous one moment, seductive the next-is a never-before-published memoir allegedly penned in the year 1438. A brilliant and truly unsettling tour de force of the supernatural, Mister B. Gone escorts the reader on an intimate and revelatory journey to uncover the shocking truth of the battle between Good and Evil.

La vida de Marty Strauss siempre ha estado gobernada por el azar. Ahora, por fin, la suerte se pone de su parte. Puesto en libertad condicional, se convierte en el guardaespaldas de Joseph Whitehead, uno de los hombres más ricos de Europa. Pero Whitehead también ha coqueteado con el azar, un juego antiquísimo que le ha proporcionado inmenso poder y riquezas, a cambio de su alma inmortal. Ahora el ser contra el que apostó ha vuelto para recla-m...

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language.

One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives.