127 Ergebnisse - Zeige 21 von 40.

I drew all these in bed one morning. I'm not sure why I chose this kind of person, but once again the interest for me is the variations on a fixed set of features (bald head, spectacles, moustache).In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me.These sequences are the origins of the QB Papers, they vary in approach and tone, and between reality and fanta...

I have always liked to draw people flying, in all sorts of ways. These people just have simply little angel-type wings, which seem to work perfectly well. These are moments of everyday life transferred to the air - the boys seem to be the only ones to beexploiting the possibilities.In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me. These sequences are the o...

It may just have been an accident that I drew a man looking at a line on the floor. After that I drew a lot more, and after that I edited and redrew some so that the line took on a character of its own and one can believe (I hope) that it's actually moving, with its observer reacting appropriately. I thought it became almost like a simple, tiny animated film.In recent years I have found myself working increasingly in sequences of drawings whic...

I enjoy drawing mountains and rocky landscapes, especially with people riding through them on eccentric vehicles, and so of course it's natural that some of them should meet. (Not always at themost convenient place or moment).In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me. These sequences are the origins of the QB Papers, they vary in approach and tone, ...

Quentin Blake and Emma Chichester Clark collaborate on an anarchic book about monkeys wreaking havoc during what should have been a calm and peaceful holiday. The accompanying CD features the story read by Olivia Colman.

This is straightforward farce. A friend, recently trained in advising businesses, wrote a commentary on my office which took it upon itself to warn us of "Trip Hazards, " amusing to us as you don't need warning, the place is full of them, books, portfolios, frames and so on. These drawings acknowledge our awareness of them.In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques wh...

These originated in a set of drawings of objects for display in a shop in Aldeburgh, called "Objects." These are thirteen of the more eccentric ones.In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me.These sequences are the origins of the QB Papers, they vary in approach and tone, and between reality and fantasy. But I hope that in each of them in its own wa...

This is rather like the conversation pictures in that it shows the positions that people get into when reading - but it's more specific and "observed" in that it shows different characters and their individual reactions. In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me.These sequences are the origins of the QB Papers, they vary in approach and tone, and be...

Another idea which came from I don't know where, though I have drawn fans before, and they serve to emphasise gesture. These are drawn in a simplified style, and the costume is a mime artist's costume.In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me. These sequences are the origins of the QB Papers, they vary in approach and tone, and between reality and f...

A large-format, signed Collector's Edition of this literary and artistic meditation on the theme of night travel from two of our greatest contemporary creative talents.'The moon drives everyone mad - you know that, well enough. But this is no lycanthropic or otherwise spooky metamorphosis: it's far stranger than that...' When Quentin Blake embarked on creating a set of new drawings on fantasies of travel, even he had not envisaged a series so ...

Keine Beschreibung.

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and he has been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated b...

These are fairly naturalistic "observed" drawings, though of course they are not drawn from life. Once again it is a range of gestures and expressions, the way the works on and reacts to the big drawing which we never see. In recent years I have found myself working increasingly in sequences of drawings which explore subjects and techniques which interest me.These sequences are the origins of the QB Papers, they vary in approach and tone, and ...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and hehas been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated bo...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and he has been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated b...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and he has been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated b...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and hehas been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated bo...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and he has been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated b...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and he has been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art.He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated bo...

Quentin Blake was born in Sidcup on the outskirts of London in 1932. He had his first drawing published in the magazine Punch exactly sixty years ago, and he has been drawing ever since. He took a degree in English Literature at Cambridge before going on to life classes at Chelsea School of Art. He taught at the Royal College of Art for twenty years and for several years was head of the Illustration Department. He has written and illustrated b...