2 Ergebnisse.

In this first extensive analysis of Chris Marker and Alain Resnais's works, Nadine Boljkovac draws on concepts and images from film and Deleuzian philosophy to show the ethical possibilities of post-World War II cinema.

How does cinema function as a means of ethical resistance and thought? Focusing on Alain Resnais and Chris Marker's cinemas, this book uses the philosophy of Gilles Deleuze to ask how cinema can enable us to see and act in an ethical way. It analyses the cinematic medium itself through concepts of affect, sensation and actual virtual violence.