13 Ergebnisse.

1932 begegnen sie sich zum ersten Mal, der größte Maler des 20. Jahrhunderts und »das Auge von Paris«, wie Henry Miller ihn einmal nannte: Pablo Picasso und Brassaï. In den 1940er Jahren intensiviert sich ihre Beziehung. Brassaï ist immer wieder bei Picasso zu Gast, begleitet ihn in die Brasserie Lipp, ins Café de Flore - und in den Zirkus, besucht ihn in seinen Ateliers, auf diversen Landsitzen, zuletzt auch in der gewaltigen Villa La Califor...

In the 1930s Paris was brimming with life, and Picasso and Brassaèi were there to make the most of it. Picasso, shocking the art world with his works, and Brassaèi, portraying boulevards and gardens, shops and markets, intellectuals and beggars. The contrasts of Paris parade before his camera, from its dark underworld to the splendour of its artistic environment, where he profusely portrayed artists and writer friends, such as Dalâi, Matisse, ...

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A partire dagli anni trenta, Brassaï frequentò e in molti casi fu intimo amico dei più importanti artisti che allora operavano a Parigi, all'epoca del suo massimo splendore: da Picasso a Braque, da Matisse a Léger, da Dalí a Kokoschka, da Miró a Bonnard, da Giacometti a Le Corbusier. Li fotografò al lavoro o nell'intimità, conversando con loro mentre li riprendeva, facendosi rivelare i segreti della loro arte, ascoltando le loro confidenze, ch...

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Wonderfully evocative. . . . leaves one pleasantly hungry. The New York Times

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Brassai recorded his many meetings and appointments with the great Spanish artist from 1943 to 1946, resulting in Conversations with Picasso."--BOOK JACKET. "While the two artists shared the same milieu in the 1930s, it wasn't until the 1940s that they saw each other on a regular basis, when Brassai was asked to photograph Picasso's works. Brassai's recollection of these visits offer an intimate portrait of one of the greatest artists of the t...

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