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This work takes a phenomenological approach to analyzing the dramatic form, focusing not on the interpretation of plays, but rather on Brownstein's perceptions and their sources. The distinct aspects of the dramatic art form are discussed using a wide variety of well-known plays, from ancient Greece to the present day. Brownstein offers a theoretical survey of the "perception shift" that infuses even the smallest element of a play, the forces ...

?Provides readers with a subject approach to the theoretical underpinnings of drama both in literary structure and in peformance....This source book is a model of clear organization. It should prove a valuable resource both for the working collections of literary scholars and for library collections supporting humanities research.?-Booklist