13 Ergebnisse.

The Feminist, the Housewife, and the Soap Opera traces the history of the feminist engagement with soap opera using a wide range of sources from programme publicity to interviews with key scholars. The book reveals that feminist scholarship on soap opera was a significant site of which the identity 'feminist intellectual' was produced in dialogue with her imagined other, the soap opera watching housewife. The book integrates personal autobiogr...

This book brings together for the first time David Morley and Charlotte Brunsdon's classic texts Everyday Television: Nationwide and The Nationwide Audience originally published in 1978 and 1980.

Screen Tastes brings together Charlotte Brunsdon's key writings on film and television and its criticism. The focus is on the tastes and pleasures of the female consumer as she is produced by popular film and television.

Essays discuss feminist documentary films, the portrayal of women in Hollywood films, and the contributions of women to the cinema.

Charlotte Brunsdon's illuminating study explores the variety of cinematic 'Londons' that appear in films made since 1945. Brunsdon traces the familiar ways that film-makers establish that a film is set in London, by use of recognisable landmarks and the city's shorthand iconography of red buses and black taxis, as well as the ways in which these icons are avoided. She looks at London weather - fog and rain - and everyday locations like the pub...

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick and the author of several books, including London in Cinema: The Cinematic City Since 1945 and The Feminist, the Housewife, and the Soap Opera.

Charlotte Brunsdon is Professor of Film and Television Studies at the University of Warwick and the author of several books, including London in Cinema: The Cinematic City Since 1945 and The Feminist, the Housewife, and the Soap Opera.

Charlotte Brunsdon's illuminating study explores the variety of cinematic 'Londons' that appear in films made since 1945. Brunsdon traces the familiar ways that film-makers establish that a film is set in London, by use of recognisable landmarks and the city's shorthand iconography of red buses and black taxis, as well as the ways in which these icons are avoided. She looks at London weather - fog and rain - and everyday locations like the pub...

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

L?aw and Order is a police story, a crime series, a courtroom drama and a prison film. Written by G. F. Newman, directed by Les Blair and produced by Tony Garnett, Law and Order challenges the comfortable world of the television police series to reveal the proximity of police and villains in a world of deals, set-ups and mutually advantageous financial arrangements. The 1978 series, shot in a low-key naturalistic style, was so controversial wh...

This book brings together for the first time David Morley and Charlotte Brunsdon's classic texts Everyday Television: Nationwide and The Nationwide Audience originally published in 1978 and 1980.

The first edition of this book immediately became a defining text for feminist television criticism, with an influence extending across television, media and screen studies - and the second edition will be similarly agenda-setting. Completely revised and updated throughout, it takes into account the changes in the television industry, the academic field of television studies and the culture and politics of feminist movements.With fifteen of th...

The first edition of this book immediately became a defining text for feminist television criticism, with an influence extending across television, media and screen studies - and the second edition will be similarly agenda-setting. Completely revised and updated throughout, it takes into account the changes in the television industry, the academic field of television studies and the culture and politics of feminist movements.With fifteen of th...