9 Ergebnisse.

A daring reassessment of Louise Nevelson, an icon of twentieth-century art whose innovative procedures relate to gendered, classed, and racialized forms of making

The most comprehensive book on the work of Liza Lou, whose popular and critically acclaimed installations made entirely of beads consider the important themes of women, community, and the valorization of labor.Liza Lou first gained attention in 1996 when her room-sized sculpture Kitchen was shown at the New Museum in New York. Representing five years of individual labor, this groundbreaking work subverted standards of art by introducing glass ...

The first comprehensive publication to capture Hayes's unique blend of performance and social engagement which has been at the forefront of questions of feminist history, queer time, and protest culture for over a decade American artist Sharon Hayes uses photography, film, video, sound, performance, and text to interrogate the intersections between the personal and collective sphere. Her deeply affective and queer approach to history and po...

This October Files volume gathers essays, an interview, and a roundtable discussion on the work of Robert Morris, one of the most influential American artists of the postwar period. It includes a little-known text on dance by Morris himself and a never-before-anthologized but influential catalog essay by Annette Michelson. Often associated with minimalism, Morris (b. 1931) also created important works that involved dance, process art, and conc...

Keine Beschreibung.

A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand from some of the greatest nuclear events to ever happen.

Published in 2014 by Gregory R. Miller & Co. in association with the Rose Art Museum on the occasion of the exhibition Mika Rottenberg: Bowls Balls Souls Holes (February 14-June 8, 2014).

In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of "craftivism" the p...

Text by Julia Bryan-Wilson, Maria Lind, Gabi Scardi.