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Casa Milà, known popularly as La Pedrera, the quarry, was a misunderstood building and the object of ridicule of Gaudís contemporaries. Today, however, this work by Antoni Gaudí arouses the admiration of experts and laymen alike. Monographic work, with fold-out panoramic views of the buildings most outstanding parts. Introductory text by Josep M. Carandell.

Casa Milà, known popularly as La Pedrera, the quarry, was a misunderstood building and the object of ridicule of Gaudís contemporaries. Today, however, this work by Antoni Gaudí arouses the admiration of experts and laymen alike. Monographic work, with fold-out panoramic views of the buildings most outstanding parts. Introductory text by Josep M. Carandell.

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Casa Milà, known popularly as La Pedrera, the quarry, was a misunderstood building and the object of ridicule of Gaudís contemporaries. Today, however, this work by Antoni Gaudí arouses the admiration of experts and laymen alike. Monographic work, with fold-out panoramic views of the buildings most outstanding parts. Introductory text by Josep M. Carandell.

The architectural work of Lluís Domènech i Montaner culminates in the Palau de la Música Catalana, a Modernist jewel and musical centre of Barcelona since 1908. If its façade is stunning, the concert hall, with its curious structure of temple and theatre, is one of the most beautiful in the world.

Casa Milà, known popularly as La Pedrera, the quarry, was a misunderstood building and the object of ridicule of Gaudís contemporaries. Today, however, this work by Antoni Gaudí arouses the admiration of experts and laymen alike. Monographic work, with fold-out panoramic views of the buildings most outstanding parts. Introductory text by Josep M. Carandell.

Casa Milà, known popularly as La Pedrera, the quarry, was a misunderstood building and the object of ridicule of Gaudís contemporaries. Today, however, this work by Antoni Gaudí arouses the admiration of experts and laymen alike. Monographic work, with fold-out panoramic views of the buildings most outstanding parts. Introductory text by Josep M. Carandell.

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