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Excerpt from Le Rime di Guido CavalcantiBm Riccardiana: 1093. Non noto a gli altri editori. Cartaceo del sec. XV di mm. 290 220, di carte 56. Ha in principio un indice di mano del Metus: è mutilo in fine e manca di una carta dopo la corroso nel margine con danno del testo nelle prime 7 carte. Gli scritti sono tutti di seguito con iniziali di rubrica. Legato inpergame na. A c. I. Trovasi adespota anepigrafa la I. Canzone di Guido. Se guono canz...

Excerpt from The Sonnets and Ballate of Guido Cavalcanti About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imp...

Excerpt from Le Rime di Guido Cavalcanti: Testo Critico Tutto il libro VI di detta Raccolta contiene poesie di Guido Cavalcanti (c. 61 Stanno prima i sonetti, poi le ballate e da ultimo la canzone Donna mi prega. I sonetti sono 13, e 12 le ballate. Le successive dieci carte del volume (132-142) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a r...

Anthony Mortimer, acclaimed for his versions of Petrarch and Michelangelo, provides a new verse translation complete with notes, critical comment and biographical material: following in the footsteps of Rossetti and Pound he presents a Cavalcanti who speaks for his own time and to ours.

Bringing his genuine poetic gifts to the project, Slavitt's translations provide stronger evidence of the originals' poetic qualities than has been available for at least a century. - Henry Taylor, Pulitzer Prize winner

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Excerpt from Sonnets and Ballate: With Translations of Them, and an Introduction Oh, dissi lui, non sei tu Oderisi, L' onor d' Agobbio, e l' onor di quell' arte Ch' alluminare è chiamata in Parisi? Frate, diss' egli, più ridon le carte, Che pennelleggia Franco Bolognese: L' onore è tutto or suo e mio in parte. Ben non sare' io stato si cortese Mentre ch' io vissi, per lo gran disio Dell' eccellenza, ove mio core intense. Di tal superbia ...

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This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our cont...

Guido Cavalcanti (c. 1250-1300) of Florence was one of the first to create a new style of poetry, the "dolce stil nuovo, " that was to inspire Dante. Cavalcanti's poetry sings of relationship and the metaphors of love that transcend the sexual and the romantic. Cirigliano's sensitive and probing text breaks with the Victorianisms of Rossetti's and Pound's translations in offering the contemporary reader the full passion of this master in a ve...