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Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.

Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other.

Michel Chion's landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment.

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Author wrote bestselling bfi Publishing title David Lynch "a joy to the reader of film criticism" Choice, 2001: A Space Odyssey to be re-released in cinemas in The Spring and highly likely to be the focus of much media attention in the new year, Stanley Kubrick's 2001: A Space Odyssey (1968), based on Arthur C Clarke's novel, is one of the most ambitious films ever made, an epic of space exploration that takes in the whole history of humanity ...

Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma.

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Michel Chion's study of the film and television work of David Lynch has become, since its first English publication in 1995, the definitive book on one of America's finest contemporary directors. In this new edition Chion brings the book up-to-date to take into account Lynch's work in the past ten years, including the major features "Lost Highway, The Straight Story, " and "Mulholland Drive. "Newly redesigned and re-illustrated, "David Lynch "...

Michel Chion is well known in contemporary film studies for his innovative investigations into aspects of cinema that scholars have traditionally overlooked. Following his work on sound in film in Audio-Vision and Film, a Sound Art, Words on Screen is Chion's survey of everything the seventh art gives us to read on screen. He analyzes titles, credits, and intertitles, but also less obvious forms of writing that appear on screen, from the tear-...

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Der Wechselbeziehung zwischen Bild und Ton im Film kommt eine zu Unrecht unterschätzte Wirkung zu: Was wir zu einem bewegten Bild hören, beeinflusst unsere Wahrnehmung einer Szene, unsere Beurteilung von Stimmung und Handeln der Akteure. Selten sind wir uns dessen bewusst - während allenfalls der Musik noch eine gewisse Wirkung zuerkannt wird, werden Laute und Geräusche nicht weiter beachtet. Wie groß der Einfluss des Sounds auf das Publikum t...

First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to...

In Audio-Vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema-- Las Voix au cinema, Le Son au cinema, and La Toile trouee--while providing an overview of the functions and aesthetics of...

The Thin Red Line' is the third film to have been directed by Terence Malick. In this book, Michael Chion traces the connections to Malick's earlier work. He links 'The Thin Red Line' not only to James Jones's novel on which it is loosely based, but also to a tradition of American thought.

Appearing here in English for the first time, Michel Chion's Sound addresses the philosophical questions that inform our encounters with sound, stimulating our thinking about being open to new sounds and to explore the links between language, technology, culture, and hearing.