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Cone explores two classic aspects of African-American culture--the spirituals and the blues. He tells the captivating story of how slaves and the children of slaves used this music to affirm their essential humanity in the face of oppression. The blues are shown to be a "this-worldly" expression of cultural and political rebellion. The spirituals tell about the "attempt to carve out a significant existence in a very trying situation".

Firmly rooted in the black church tradition, James H. Cone relates the formative features of his faith journey, from his childhood experience in Bearden, Arkansas, and his father's steadfast resistance to racism, through racial discrimination in graduate school, to his controversial articulation of a faith that seeks to break the shackles of racial oppression.

First published in 1979, this is the classic sourcebook for the emergence of Black Thelogy in the United States. Born out of the Civil Rights Movement and the emerging demand for Black Power, Black Theology has tried for 25 years to relate the gospel to the African-American experience of oppression and struggle for liberation. This revised volume contains a new introduction, many additional essays, and a revised bibliography .

Looks at the history of Black theology, discusses its relationship to white and liberation theology, and identifies new directions for Black churches to take in the eighties.