10 Ergebnisse.

Sixty-five million years ago, a gigantic asteroid collided with Earth. The resulting dust clouds and fire storm blotted out the sunlight, destroying much of the animal, plant, and fish life - most notably, the dinosaurs. What would happen if another giant asteroid found itself on a collision course with Earth? Doomsday Asteroid: Can We Survive? is the most comprehensive current book for general readers to address the threats and potential bene...

The Oxford Handbook of Indigenous American Literature is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date.

James H. Cox is Jane and Roland Blumberg Centennial Professor of English at the University of Texas at Austin. He is author of The Red Land to the South: American Indian Writers and Indigenous Mexico (Minnesota, 2012).

James H. Cox is Jane and Roland Blumberg Centennial Professor of English at the University of Texas at Austin. He is author of The Red Land to the South: American Indian Writers and Indigenous Mexico (Minnesota, 2012).

This biography of Beverly Kimes, was written by her beloved husband, Jim Cox. This is not a book about the illustrious career of Beverly Kimes, first woman editor of Automobile Quarterly, renowned author, or the foremost classic car historian of her time. But, a story about Beverly Kimes, daughter, sister, friend, mentor, wife, and inspiration to women and men who had the distinct honor of having her be part of their lives. Determination is ev...

The Oxford Handbook of Indigenous American Literature is the most comprehensive and expansive critical handbook of Indigenous American literatures published to date.

James H. Cox is associate professor of English and associate director of Native American and Indigenous studies at the University of Texas at Austin. He is the author of Muting White Noise: Native American and European American Novel Traditions.

Keine Beschreibung.

Keine Beschreibung.

In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which t...