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Excerpt from The Early Flemish Painters: Notices of Their Tibes and WorksDescamps, in 1753, wrote afresh the lives of these painters. He did not, however, add much that was new. On the contrary, he confused a history which was already sufficiently obscure. He failed to discover the error of Van Mander, who made two painters out of the old Roger Van der Weyden and he changed the name of Memling to Hemmelinck, thereby laying the foundation of mu...

Excerpt from The Early Flemish Painters: Notices of Their Tibes and WorksDescamps, in 1753, wrote afresh the lives of these painters. He did not, however, add much that was new. On the contrary, he confused a history which was already sufficiently obscure. He failed to discover the error of Van Mander, who made two painters out of the old Roger Van der Weyden and he changed the name of Memling to Hemmelinck, thereby laying the foundation of mu...

Excerpt from A History of Painting in North Italy, Vol. 2 of 2: Venice, Padua, Vicenza, Verona, Ferrara, Milan, Friuli, Brescia, From the Fourteenth to the Sixteenth CenturyIn the style of the S. Sebastian at the Brera is a life size figure of a female martyr in an arched recess of a house (inner court) at no. 9. Piazza San Sepolcro in Mi lan. The work is greatly injured and abraded.About the PublisherForgotten Books publishes hundreds of thou...

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Titian His Life and Times, With Some Account of His Family, Chiefly From New and Unpublished Records, Vol. 1 of 2Titian's fame was not confined even in his own time to Italy. He was not more appreciated in Venice than in Spain, France, or Germany. Yet if we look into the pictorial annals of these countries it is surprising how little we gain by the study of them. Spain is perhaps more fruitful in early notices than any other State...

Excerpt from Geschichte der Italienischen Malerei, Vol. 1Eine Arbeit, an die der italienische und der englische Autor je in seiner Richtung jahrelangen Fleiss gesetzt, dem deutschen Publikum noch zugänglicher zu machen, als das fremde Idiom und der Preis des Originaltextes gestatten, erschien daher als gerechtfertigter Wunsch, und ihn zu erfüllen konnte ich um so weniger Anstand nehmen, da ich denselben zuerst angeregt hatte (vgl. "grenzboten ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Geschichte der Italienischen Malerei, Vol. 4: Erste HälfteDass Verfasser und. Bearbeiter die Zwischenzeit nicht unge nutzt gelassen haben, werden die vielfachen Bereicherungen lehren. Am reichliehsten konnten die Capitel über Signorelli, über die alt-peruginer, über Pietro Perugino und Pinturicchio mit Nachträgen und Erweiterungen versehen werden.About the PublisherForgotten Books publishes hundreds of thousands of rare and classi...

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Geschichte der Italienischen Malerei, Vol. 2Francesco Traini und Niccola Tommasi Traini's Tafelbilder in Pisa (32 Niccola Tommasi in Neapel Bernardo Nello di Giov. Falconi Tommaso di Marco Cap. III.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technolo...

Excerpt from A Histoy of Painting in Italy, Vol. 5 of 6: Umbria Florence and Siena From the Second to the Sixteenth CenturyThe virgin OF mercy Piero della Francesca From an altarpiece in the Communal Gallery, Borgo S. Sepolcro.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-...