7 Ergebnisse.

From the 1787 Wedgwood antislavery medallion featuring the image of an enchained and pleading black body to Quentin Tarantino's Django Unchained (2012) and Steve McQueen's Twelve Years a Slave (2013), slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, an...

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece's Incognegro, Gene Luen Yang's Boxers and Saints, GB Tran's Vietnamerica, Scott McCloud's The New Adventures of ...

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece's Incognegro, Gene Luen Yang's Boxers and Saints, GB Tran's Vietnamerica, Scott McCloud's The New Adventures of ...

A study of how women writers found ways to sound an authoritative voice in the male-dominated world

Starting with Salman Rushdie's statement that even though something is always lost in translation, something can also be gained, Cutter examines the trope of translation in twenty English-language novels and autobiographies by contemporary African American, Asian American, Native American, and Mexican American writers. She argues that these works advocate a politics of language diversity--a literary and social agenda that validates the multipl...

Analyses some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. Martha Cutter argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship.

In a society perceiving that language was for the province of male, white speakers, how did women writers find a voice? Martha J. Cutter answers this question by examining works by ten African American and Anglo American women who wrote between 1850 and 1930. She shows that female writers in this period perceived how male-centered and racist ideas on language had silenced them. By adopting voices that are maternal, feminine, and ethnic, they b...