As If It Is At All" compiles Simon Cutts's "transferable" (i.e. realizable in various media, whether print, sculpture, artist's book, etc.) poems of the past decade, in the fashion of such previous books as "Seepages" (The Jargon Society, 1989), and "A Smell of Printing" (Granary Books, 2000). Frequently made in the Concrete idiom, or similar, and with an appetite for concision, clarity and gentle wit, Cutts's writings advocate and palpably sa...
