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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough...

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Daily Shorthand: The New LightlinePitman used geometrical straight strokes and curves as symbols for the consonants, and these were grouped in pairs to indicate similar (cognate) sounds, having a light line to represent the light sound and a heavy line to represent the heavy sound. For vowel notation a scale of three dots or dashes, placed at the side of the consonant strokes, was devised.About the PublisherForgotten Books publish...

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Excerpt from Daily Shorthand: The New Lightline Practically all shorthand systems in use in the United States at this time are based on that of Isaac Pitman, of England, or that of M. Duploye, of France. Pitman used geometrical straight strokes and curves as symbols for the consonants, and these were grouped in pairs to indicate similar (cognate) sounds, having a light line to represent the light sound and a heavy line to represent the heavy...