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The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.

The New Soundtrack' is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors.

The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors.

The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.

The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.

This journal focuses on the aural elements which combine with moving images in film, TV, games, installations and interactive media. It aims to provide a forum for the development and exchange of ideas, with contributions from both practitioners and academic theorists.

The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.

The New Soundtrack is a biannual journal that brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.

All sounds accompanying film are to some extent emotive, and some are literal This special issue features articles that consider the immersive experience of film and cinema. A biannual journal, The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise t...

The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.

The New Soundtrack brings together leading academic and professional perspectives on the relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images.

The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.

The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.

The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.