22 Ergebnisse - Zeige 1 von 20.

In times that are rife with complex manifestations of identity politics, writing classrooms across the world are hosting heated debates about what it means for authors to write about experiences outside our own. This book focuses on writing as the act of witnessing when the writers themselves were not present to witness in person.

In a nameless country under military occupation, two friends prepare to attend a wedding. The young man is from the occupied region ("This Place"), the woman is from the occupying nation-state ("That Place"). The complicated relationship between these two protagonists with unusual professions--he is a Protest Designer and she is a De-programmer--is tested when, on the eve of the wedding, the occupying power, That Place, formally annexes This P...

Writing in-Between embodies one central tenet: that the significance of performative writing might be most powerfully experienced through a collaborative process of meaning making between a text's author and its readers turned co-creators.

An impassioned and inventive debut novel about two people earnestly searching for a way to preserve their friendship across seemingly insurmountable political dividesThis Place|That Place centers on two characters from opposing sides of an unnamed war. On the day of a family wedding, a stunning announcement dramatically shifts the relationship between This Place and That Place, sparking a government-imposed curfew that locks everyone inside. S...

Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for et...

Nandita Dinesh places Kipling's "six honest serving-men" (who, what, when, where, why, how) in productive conversation with her own experiences in conflict zones across the world to offer a theoretical and practical reflection on making theatre in times of war. This timely and important book weaves together Dinesh's personal narrative with the public story of modern conflict, illustrating as it does, the importance of theatre as a force for et...

What does immersive theatre `dö?By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her w

What is happening in Kashmir?'Chronicles from Kashmir explores this question through a site-adaptive 24-hour theatrical performance. Developed between 2013 and 2018 by the Ensemble Kashmir Theatre Akademi and Nandita Dinesh, the play uses a durational, promenade format to immerse its audience within a multitude of perspectives on life in Kashmir. From a wedding celebration that is interrupted by curfew, to schoolboys divided by policing strate...

What is happening in Kashmir?'Chronicles from Kashmir explores this question through a site-adaptive 24-hour theatrical performance. Developed between 2013 and 2018 by the Ensemble Kashmir Theatre Akademi and Nandita Dinesh, the play uses a durational, promenade format to immerse its audience within a multitude of perspectives on life in Kashmir. From a wedding celebration that is interrupted by curfew, to schoolboys divided by policing strate...

Aleph-naught is a performative text that creatively harnesses Dinesh's findings from three of her previous works: Memos from a Theatre Lab: Exploring What Immersive Theatre "Does", Memos from a Theatre Lab: Spaces, Relationships, & Immersive Theatre, and Memos from a Theatre Lab: Immersive Theatre & Time. As the latest endeavour in Dinesh's ongoing commitment to creating socially relevant, immersive, theatrical works, this book contains "A Pla...

Aleph-naught is a performative text that creatively harnesses Dinesh's findings from three of her previous works: Memos from a Theatre Lab: Exploring What Immersive Theatre "Does", Memos from a Theatre Lab: Spaces, Relationships, & Immersive Theatre, and Memos from a Theatre Lab: Immersive Theatre & Time. As the latest endeavour in Dinesh's ongoing commitment to creating socially relevant, immersive, theatrical works, this book contains "A Pla...

Drawing from Dinesh's findings in Memos from a Theatre Lab: Exploring What Immersive Theatre "Does" and Memos from a Theatre Lab: Spaces, Relationships, & Immersive Theatre, this practice-based-research project, the third in a series of Immersive Theatre experiments in Dinesh's theatre laboratory, considers the impact of duration when using immersive theatrical aesthetics toward educational and/or socio-political objectives. Dinesh frames the ...

In Theatre & War: Notes from the Field (2016, 2018), Dinesh writes about making theatre in zones of conflict. She analyzes practice, she describes various projects that she has undertaken 'on the ground', she theorizes strategies that might be useful to other practitioner-researchers who are involved in similar work. In this sequel of sorts, Dinesh chooses to return to the same themes: of theatre, of war. But this time, she intentionally craft...

Drawing from Dinesh's findings in Memos from a Theatre Lab: Exploring What Immersive Theatre "Does", this practice-based-research project - second in an envisioned series of Immersive Theatre experiments in Dinesh's theatre laboratory -- considers the potential impact of pre-existing relationships between actors, spectators, and performance spaces when using immersive theatrical aesthetics toward educational and/or socio-political objectives. ...

Drawing from Dinesh's findings in Memos from a Theatre Lab: Exploring What Immersive Theatre "Does" and Memos from a Theatre Lab: Spaces, Relationships, & Immersive Theatre, this practice-based-research project, the third in a series of Immersive Theatre experiments in Dinesh's theatre laboratory, considers the impact of duration when using immersive theatrical aesthetics toward educational and/or socio-political objectives. Dinesh frames the ...

In Theatre & War: Notes from the Field (2016, 2018), Dinesh writes about making theatre in zones of conflict. She analyzes practice, she describes various projects that she has undertaken 'on the ground', she theorizes strategies that might be useful to other practitioner-researchers who are involved in similar work. In this sequel of sorts, Dinesh chooses to return to the same themes: of theatre, of war. But this time, she intentionally craft...

A book of plays, and a book about writing and staging plays for Immersive Theater. Through the creation of scripts that place spectator-actors in less explored scenarios within juvenile detention, wartime interventions, and immigration processes, this book provides practical strategies for directors and playwrights who work with immersive aesthetics.

Drawing from Dinesh's findings in Memos from a Theatre Lab: Exploring What Immersive Theatre "Does", this practice-based-research project - second in an envisioned series of Immersive Theatre experiments in Dinesh's theatre laboratory -- considers the potential impact of pre-existing relationships between actors, spectators, and performance spaces when using immersive theatrical aesthetics toward educational and/or socio-political objectives. ...

Documenting a theatre project for incarcerated youth in a New Mexico juvenile detention facility, this book presents the script of a play about prison life, and interweaves the author's creative, self-reflective text. The collaborative experience of writing and staging such a play enacted by prisoners frames a discussion of larger social and political themes in the criminal justice system.

What does immersive theatre `dö?By contrasting two specific performances on the same theme - one an 'immersive' experience and the other a more conventional theatrical production - Nandita Dinesh explores the different ways in which theatrical form impacts upon actors and audiences. An in-depth case study of her work Pinjare (Cages) sets out the `hows¿ and `whys¿ of her specific aesthetic framework.Memos from a Theatre Lab places Dinesh¿s prac...