Making use of recent feminist critical theory, Doane considers Gertrude Stein's modernist preoccupation with narrative silence in her early novels. She demonstrates the effects of this preoccupation on Stein's literary development, from the conventionality of her first novel, Q.E.D., through Fernhurst and Three Lives, to the radical transgressions against narrative intelligibility in The Making Of Americans. Doane, contending that Stein's ulti...
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