5 Ergebnisse.

So what if I left language by the pier. Metaphor's a raft, " declares Andrew DuBois as he leads readers through a fractured past and present -- from "slummy memories of streets" to a "a charnelhouse (?) of possible clowns" -- defamiliarizing, critiquing, and satirizing a wide range of conversational forms in the style of Wallace Stevens and Michael Palmer. Yet, as "lives at time degenerate into victory competitions, " and the poet alternates b...

In this wide-ranging collection, Andrew DuBois rounds up some 200 reviews of contemporary Canadian poets (from Jordan Abel to Jan Zwicky), American poets, memoirists, and novelists, and twenty-first century literary critics. With an approach that balances careful attention to aesthetics and style with an over-arching commitment to the crucial role of the arts in our personal and social lives, DuBois describes the objects under his discussion w...

A cut-up book of poetry.

Andrew DuBois assesses John Ashbery's career as a poet in the context of changes in 20th-century aesthetics, the rise of the information age, and the proliferation of aural and visual stimuli. The issue of attention, he argues, is useful not only for understanding the problems of perception and concentration in an age of information overload but also for understanding how Ashbery's poetry and poetry in general contend with those issues.

Andrew DuBois assesses John Ashbery's career as a poet in the context of changes in 20th-century aesthetics, the rise of the information age, and the proliferation of aural and visual stimuli. The issue of attention, he argues, is useful not only for understanding the problems of perception and concentration in an age of information overload but also for understanding how Ashbery's poetry and poetry in general contend with those issues.