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In this volume, Georges Duby examines the lives of prominent twelfth-century French women as well as popular female literary figures of that time. Focusing on medieval notions of women and love, Duby looks for the ideological motivations for the representation of the female sex. He analyzes the ways in which women's biographies were written and how female characters were treated in fable and legend, pointing to the social and political forces ...

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In this engaging intellectual autobiography, Georges Duby looks back on a career that has led him to be called one of the most distinguished historians in the Western world. Since its beginning in the 1940s, Duby's career has been rich and varied, encompassing economic history, social history, the history of mentalites, art history, microhistory, urban history, the history of women and sexuality, and, most recently, the Church's influence on f...

In this beautifully written book, George's Duby, one of France's greatest medieval historians, returns to one of the central themes of his work - the relationship between art and society.

In this beautifully written book, George's Duby, one of France's greatest medieval historians, returns to one of the central themes of his work - the relationship between art and society.

The French Revolution opened a whole new stage in the history of women, despite their conspicuous absence from the playbill. The coming century would see women's subordination to men codified in all manner of new laws and rules, and yet the period would also witness the birth of feminism, the unprecedented emergence of women as a collective force in the political arena. The fourth volume in this world-acclaimed series covers the distance betwe...

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Im Gespräch mit dem Philosophen Guy Lardreau gibt Duby hier Auskunft über seine Vorstellungen von Geschichte und über die theoretischen und methodischen Grundlagen der Geschichtswissenschaft, er umreißt seine Sicht der Entwicklungen in der historischen Wissenschaft dieses Jahrhunderts, erläutert die Motive und Grundgedanken seiner wichtigsten Studien und benennt die persönlichen Motive, die seine Arbeit geleitet haben.

Am Anfang von Dubys Buch steht eine banale Feststellung: daß nämlich das Gesellschaftsmodell des Feudalismus die Menschen in drei Ordnungen mit drei verschiedenen Funktionen einteilt. Hiervon ausgehend entwickelt Duby seine Frage, die da lauten, wie es zur Ausbildung dieses Weltbildes kam, warum es in den zwanziger Jahren des 11. Jahrhunderts formuliert wurde und warum seine Schöpfer zwei Bischöfe, Adalbero von Laon und Gerhard von Cambrai, wa...

Duby geht es in seiner Darstellung der mittelalterlichen Kunst nicht um Ikonographie oder Stilgeschichte. Er stellt das Kunstwerk in den sozialen und geistesgeschichtlichen Rahmen seiner Zeit. Wenngleich die künstlerische Produktion die Perspektive dieser Arbeiten stets bestimmt, gehört der größere Raum doch der Darstellung der sozialen, ökonomischen, politischen und kulturellen Entwicklungen, in deren Rahmen sich die Kunst, deren Brennpunkt d...

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This magnificent, oversized, luxuriously illustrated volume presents the wondrous history of Venice, as revealed by its artistic legacy.

This is an engaging account of the lives of high-born women in the Middle Ages, by one of the foremost historians in Europe. Focusing on France in the twelfth century, Duby recreates the image of women that the men of high society made for themselves.

Mogli, madri, figlie, sorelle, concubine, amanti: le donne nel Medioevo erano dotate di una singolare autorità, secondo gli uomini che le temevano. Dominate nella vita pubblica, avevano nel privato un enorme potere. Ce lo racconta, sorprendendoci, Georges Duby.