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In 1977, Art Ensemble of Chicago Publishing Co. published Jarman's Black Case, a collection of writing conceived across America and Europe between 1960 and 1975. Comprised largely of Jarman's flowing, fiery free verse--influenced by Amus Mor, Henry Dumas, Thulani Davis, and Amiri Baraka--the book also features a manifesto for "GREAT BLACK MUSIC, " notated songs, concert program notes, Jarman's photos, and impressions of a play by Muhal Richard...

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Edwards revisits black transnational culture in the 1920s and 1930s, paying particular attention to links between the intellectuals of the Harlem Renaissance and their Francophone counterparts in Paris. He suggests that diaspora is less a historical condition than a set of practices through which black intellectuals pursue international alliances.

Argues that the challenge for the Left is to develop an antiterrorism stance that acknowledges the legacy of US trade and foreign policy as well as the diversity of the Muslim faith and the dangers presented by fundamentalism of all kinds.

Hearing across media is the source of innovation in a uniquely African American sphere of art-making and performance, Brent Hayes Edwards writes. He explores this fertile interface through case studies in jazz literature both writings informed by music and the surprisingly large body of writing by jazz musicians themselves.

Marks the thirtieth anniversary of "Social Text" and celebrates the journal's legacy. Offering a history of the journal since its inception in 1979, this title explores the elements that have made "Social Text" what it is today: the intellectual impulses that first brought the editorial collective of scholars, artists, and activists together.