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American Poetry as Transactional Art explores a salient quality of much avant-garde American poetry that has so far lacked sustained treatment: namely, its role as a transactional art. Specifically Fredman describes this role as the ways it consistently engages in conversation, talk, correspondence, going beyond the scope of its own subjects and forms-its existential interactions with the outside world. Poetry operating in this vein draws toge...

Published on the occasion of the exhibition held at Museum of Art, Santa Monica, Calif., Sept. 17-Nov. 26, 2005, Nora Eccles Harrison Museum of Art, Logan, Utah, Jan. 10-March 15, 2006, Ulrich Museum of Art, Wichita, Kansas, April 21-July 9, 2006, Berkeley Art Museum and Pacific Film Archive, Berkeley, Calif., Oct. 17-Dec. 10, 2006, and Grey Art Gallery, New York, Jan. 16- March 31, 2007.

This" Concise Companion "gives readers a rich sense of how the poetry produced in the United States during the twentieth century is connected to the country's intellectual life more broadly. Helps readers to fully appreciate the poetry of the period by tracing its historical and cultural contexts. Written by prominent specialists in the field. Places the poetry of the period within contexts such as: war, feminism and the female poet, poetries ...

This" Concise Companion "gives readers a rich sense of how the poetry produced in the United States during the twentieth century is connected to the country's intellectual life more broadly. Helps readers to fully appreciate the poetry of the period by tracing its historical and cultural contexts. Written by prominent specialists in the field. Places the poetry of the period within contexts such as: war, feminism and the female poet, poetries ...

The author of this work sets out to determine why so many recent American poets have been writing prose, and what it means, discussing in detail William Carlos Williams' "Kora in Hell", Robert Creeley's "Presences" and John Ashbery's "Three Poems".

Provides critical introductions to a selection of talk poems from David Antin's now out-of-print collections in conjunction with a new interview with the author. His 'talk poems' are essential for classroom and scholarly discussions about modernism, postmodernism, and poetry - offering an opportunity to strengthen the tie between science and the humanities.

Stephen Fredman asserts in his work that American poetry is groundless.

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PrefaceIntroduction: A Menorah for Athena 1. Call Him Charles 2. Immanence and Diaspora 3. Hebraism and Hellenism 4. Sincerity and Objectivism Afterforward: Trilling and GinsbergChronology Notes Works Cited Index

Stephen Fredman asserts in his work that American poetry is groundless.

By any measure - international reputation, influence upon fellow writers and later generations, number of books published, scholarly and critical attention - Robert Creeley (1926-2005) is a literary giant, an outstanding, irreplaceable poet. This book treats Creeley's career as a whole.

Fredman makes the original argument that some of the most innovative works of poetry and art in the postwar period (1945-1970) engaged in a "contextual practice, " a term that refers both to a way of making art characterized by assemblage and to a new relationship between art and life, an "erotic poetics.

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