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Poetry. "What a complex and lovely book this is! Reading Elisa Gabbert's obsessively interior, technically rigorous poems is like listening in on the thoughts of a mind so fiercely observant and subtle that I find in them always some new twist, some surprising layer I hadn't noticed before. By turns moving and witty, sharp-eyed and impressionistic, Gabbert writes with technical sophistication and keen intelligence. This is a terrific book"--Ke...

Contagiously curious essays on reading, art, and the life of the mind from the acclaimed author of The Unreality of Memory"--

A collection of funny and thought-provoking poems inspired by surprising facts that will appeal to poetry lovers and poetry haters alike from the author of the acclaimed essay collection The Unreality of Memory, "a work of sheer brilliance, beauty and bravery" (Andrew Sean Greer)Elisa Gabbert, a writer known to be both "casually brilliant" (Sandra Newman) and a "ruthless self-examiner" (Sarah Manguso) brings her "questing, restless intelligenc...

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We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase Did you see? The feeling that we're living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten--and each new catastrophe distracts us from the last. The Unreality of Memory collects provocative, searching essays on disaster culture, climate anxiety, and our mounting collective sense ...

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A work of sheer brilliance, beauty and bravery' Andrew Sean Greer, author of Less'Masterly... Her essays have a clarity and prescience that imply a sort of distant, retrospective view, like postcards sent from the near future' New York TimesWe stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase "Did you see?" The feeling that we're living in the worst of times seems to be intensifying, alongside ...

This collaboration between Elisa Gabbert and Kathleen Rooney is "Just more entertaining than poems are supposed to be. And I'm not using the word "entertaining" as some kind of sly putdown either. These poems have more human interaction going on in a couple of lines than many writers manage in a couple of books. The linguistic energy and, really, virtuosity, can be stunning. These are poems that know what people are like when they're around pe...

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We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of the phrase "Did you see?" The feeling that we're living in the worst of times seems to be intensifying, alongside a desire to know precisely how bad things have gotten.Poet and essayist Elisa Gabbert's The Unreality of Memory consists of a series of lyrical and deeply researched meditations on what our culture of catastrophe has done to public discourse...

Terror, disaster, memory, selfhood, happiness . . . leave it to a poet to tackle the unthinkable so wisely and so wittily."* A literary guide to life in the pre-apocalypse, The Unreality of Memory collects profound and prophetic essays on the Internet age's media-saturated disaster coverage and our addiction to viewing and discussing the world's ills.We stare at our phones. We keep multiple tabs open. Our chats and conversations are full of th...

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Elisa Gabbert's L'Heure Bleue, or the Judy Poems, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a ma...

Elisa Gabbert's The Self Unstable combines elements of memoir, philosophy, and aphorism to explore and trouble our ideas of the self, memory, happiness, aesthetics, love, and sex. With a sense of humor and an ability to find glimmers of the absurd in the profound, she uses the lyric essay like a koan to provoke the reader's reflection-unsettling the role of truth and interrogating the "I" in both literary and daily life: "The future isn't anyw...