Enables lecturers in higher education to understand and develop creative pedagogy techniques, engaging diverse learners to become creators of their own futures.
Invisible Voices explores the intersection of criminology and history as a way of contextualizing the historical black presence in crime and punishment in the UK. Through case studies, court transcripts, and biographical accounts it reimagines the understanding/s of the role of history in shaping contemporary perceptions.
Invisible Voices explores the intersection of criminology and history as a way of contextualizing the historical black presence in crime and punishment in the UK. Through case studies, court transcripts, and biographical accounts it reimagines the understanding/s of the role of history in shaping contemporary perceptions.
Through the lens of black art, Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings attention to marginalized perspectives within mainstream criminology.
Through the lens of black art, Martin Glynn explores the relevance black artistic contributions have for understanding crime and justice. Through art forms including black crime fiction, black theatre and black music, this book brings attention to marginalized perspectives within mainstream criminology.
De carrière van onderzoeksjournalist Jimmy Gilroy loopt op zijn laatste benen, maar dat wil niet zeggen dat hij zijn neus voor een goed verhaal verloren heeft. Om financieel het hoofd boven water te houden, accepteert hij de opdracht een boek te schrijven over Susie Monaghan, een nationale celebrity, die op mysterieuze wijze bij een helikoptercrash is omgekomen. Maar algauw komt hij erachter dat niet iedereen in hoge politieke kringen gelukkig...
Martin Glynn builds on recent empirical research in the UK and the USA and uses Critical Race Theory as a framework for developing a new theory of desistance. This book posits that the voices of black men offer a unique opportunity to refine the understandings of desistance and demonstrates how a more thoroughgoing appreciation of desistance can be gained by studying the ways that this process is racialised.
