18 Ergebnisse.

Of Gone Fox is a cycle of 13 poems held between two photos of a dead fox... Mark Goodwin is a poet-sound-artist, and speaks & writes in various ways. He has published with various English poetry houses including Intergraphia, Leafe Press, Longbarrow Press, Nine Arches Press, Shearsman Books, and also with with Middle Creek in the United States. Mark was brought up on a farm in south Leicestershire, and from a young age has been a keen experi...

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Mark has an unusual history. After losing his hearing as an eighteen-month-old infant, the next six years were silent as he honed his way of watching.

About The Book"What erodes here are borders between language and land, between experience and experienced, between what can be known and what can be said. It's a remarkable experience and the reader is left with more than the sum of their senses."-Jack Davis Seemingly simultaneously hewn from granite and whispered from the gossamer-glot of glaciers, the poems in Erodes On Air swiftly persuades the reader to slow down and take another look . . ...

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Since the 1970s and E. P. Sanders' Paul and Palestinian Judaism, Pauline scholars have become increasingly aware of the significance of participation (formerly, Pauline mysticism) in Paul's letters. In them, he employed a diversity of participatory expressions, e.g., speaking of believers being "in Christ, " baptized "into Christ, " being crucified "with" Christ, etc. While Paul makes frequent references to participation, he never explained wh...

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All Space Away and In … is on mist-smudged snow just to our north or in a bulbous evolving sky or in a rhyolite bowl of wobbling Welsh syllables … Here Mark Goodwin becomes involved with animals & ground, as well as people … Poems as clunk-&-puff-of-dirt … creaturely elongation of speed … a fog-hollow of corrie … chalk-hooves flint-ringing … Attempts to free amazement and pin-point sharp where we are …

Rescaling the state provides a theoretically-informed and empirically-rich account of the process of devolution undertaken in the UK since 1997, focusing in particular on the devolution of economic governance. Using case studies from England, Scotland, Northern Ireland and Wales, the book examines the purported reasons for, and the unintended consequences of, devolution. As well as comparing policy and practice across the four devolved territo...

Rescaling the State provides a theoretically-informed and empirically-rich account of the process of devolution undertaken in the UK since 1997, focusing in particular on the devolution of economic governance. -- .

Goodwin carefully examines the tradition of living God epithet in Hebrew, Jewish, and early Christian sources and then demonstrates the ways in which Paul adopted this tradition in his own letters.>

This is a history of the New Zealand poisonous honey problem. New Zealand was not the first country to report problems with poisonous honey. Poisonings have been known worldwide for more than 2, 000 years and still occurs in some countries today. As well as descriptions of the poisoning incidents, the history includes a description of the efforts of beekeepers, beekeeping advisors, doctors, and scientists who took 80 years to identify the sour...

One of five chapbooks published by Shearsman in the summer of 2012, Layers of Un marks another stage in the development of Mark Goodwin's radical landscape poetry.

In House At Out, Mark Goodwin steps beyond the physical landscapes of Back of A Vast, into a new topography: a world that is a "wild's inf i nite b its" approached through the gaps and hollows in the word. The holes are apertures as we zoom into language, crack open word hordes and find worlds of association, "hole keys" with which we open kinetic lands as nimble as "music thinking of water". Here are poems that "house and home // and hone a m...

This book contains a sequence of poems by Mark Goodwin, followed by a sequence, in reponse, by Julia Thornley. Goodwin's poems are thmeselves are formed by 'writing through' the poetry of English poet Peter Riley. This is therefore, a true modernist, inter-textual work, which combines its modernism with pastoral, crafted verse.

These poems disclose a poet's rich relationship to the natural world by stripping away, by letting a raw objectivist lyric scrape off any rhetorical surface to discover the details beneath. This happens in almost every line, every phrase-so much so that finally his individual words seem to do it by themselves. The result is that /nature/ here ticks and clicks as though it were trying to find a halfway-house language between itself and the writ...

A first collection for Leicestershire poet Mark Goodwin, and winner of an Eric Gregory Award in 1998. "It's thrilling to welcome a new poet into the company of our seriously exciting younger nature writers such as Kathleen Jamie and Robert Macfarlane. Mark Goodwin is a poet whose surround-senses are as alert as an animal's, and whose writing is exceptionally grounded in so many of the complexities of being fully human." (Catherine Byron)