10 Ergebnisse.

Hannah Green's edgy, often darkly comedic debut, Xanax Cowboy, is a long poem that considers the romanticization of addiction and mental illness (particularly in relation to the notion of the artist) via the romanticization of the Wild West. Cowboys are supposed to be messed up, a bit raw around the edges. The speaker wants to be loved for this too, and doesn't care if she is the only one laughing. The long poem is known for its resistance to ...

This edited volume is an anthology of nine essays from Japanese and U.S. scholars examining the technology policy landscape in both countries with an eye toward developing recommendations for bilateral cooperation in the years ahead. Topics include U.S. and Japanese technology strategy, economic security, and rulemaking for the digital economy.

Democratic governance is a critical element of the U.S. strategy to ensure a free and open Indo-Pacific region. This CSIS report catalogues regional efforts to support democracy and recommends ways the United States can partner with like-minded countries in the region.

Keine Beschreibung.

Keine Beschreibung.

Some people look, and some people stare because she is bald where there?s usually hair.? Hannah has lost her hair, which makes her look different from her classmates, and they don?t understand why. Join them in asking Hannah how she lost her hair, and learn with them the importance of understanding and celebrating difference.

Die Flucht vor der Realität, vor Krankheit und familiärer Isolation endet für die sechzehnjährige Deborah in der geschlossenen Abteilung einer Psychiatrie. Befund: Schizophrenie. Hannah Green erzählt in ihrem erfolgreichen autobiografischen Roman den Kampf des Mädchens Deborah um ihre Heilung. Sie gewährt einen Blick in die Alptraumwelt des psychotischen Fühlens, in die fragmentarischen Beziehungen, aber auch in die Solidarität unter den Krank...

Dieses Buch erzählt die Geschichte der sechzehnjährigen Deborah Blau, die mit der Diagnose Schizophrenie in eine psychiatrische Klinik eingewiesen und nach mühsamer Behandlung und mancherlei Rückschlägen geheilt wird. Es ist die Schilderung einer Krankheit, mit der sich die Autorin als ein Stück eigener Geschichte identifiziert.

In the early 1970s, Hannah Green and her husband came upon a small village called Conques, curled like a conch shell in the mountains of south-central France. Entranced, she returned to this numinous place again and again, drawn to the story of the little saint whose spirit fills the lives of the people there. Housed in the village's yellow stone basilica sits the gold reliquary of Sainte Foy, who was beheaded in the fourth century for refusin...

Reading The Dead of the House was like falling in love...".New York Times