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A hilarious new stage adaptation of the classic comic novel.

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THE DIARY OF A NOBODY is considered a classic work of humour.

The Grossmith brothers, George (1847-1912) and Weedon (1852-1919), both pursued successful theatrical careers. They are best remembered for their collaboration on THE DIARY OF A NOBODY which was written by both brothers and illustrated by Weedon. Ed Glinert is a journalist and writer. He is currently working on a book on Literary London for the Penguin Press.

George and Weedon Grossmith were born in London in 1847 and 1852 respectively to a theatrical family who were friends with Henry Irving and Ellen Terry. George became a popular composer and performer of comic songs as well as a successful actor. Weedon trained as a painter at the Slade and the Royal Academy, but soon turned to acting like his brother.The Diary of a Nobody began life as a series of columns the brothers wrote together for Punch ...

The diary of this Nobody is surprisingly fascinating and entertaining, both in its highly relatable petty dilemmas and absurd social crises and in the astounding importance and concern with which the narcissistic author treats them.

The diary of this Nobody is surprisingly fascinating and entertaining, both in its highly relatable petty dilemmas and absurd social crises and in the astounding importance and concern with which the narcissistic author treats them.

George Grossmith (1847-1912) was an English comedian, writer, composer, actor, and singer. He is best remembered for creating a series of characters in the comic operas of Gilbert and Sullivan, including Sir Joseph Porter, in H. M.S. Pinafore, the Major-General in The Pirates of Penzance and Ko-Ko in The Mikado, and for writing the comic 1892 novel (with his brother Weedon), Diary of a Nobody. He was also famous in his day for performing his o...

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George and Weedon Goldsmith's creation of the utterly pedestrian and irredeemably middle-class bank clerk 'Henry Pooter' is a work of comic genius. "Why should I not publish my diary?" Pooter asks at the start of the book, and the answer becomes blindingly, hilariously clear as he proceeds to detail the unremitting tedium of his life in all its hum-drum detail: straightening a Venetian blind, nailing down a loose carpet corner, or describing h...