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Advanced Labanotation issue 10: Body Variations.

A Labanotation score.In capturing the spirit of the 'Roaring Twenties' Jerome Robbins' Charleston Ballet is agem. It came to life in the 1945 Broadway show Billion Dollar Baby, providing a highlightdespite being only seven minutes long. Robbins depicted the various characters of thetime, the gangsters, bootleggers, a policeman (who was always looking the other way)and various other characters who entered - and also exited - the Speakeasy. For ...

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The Pas de Six from La Vivandiere is the only ballet preserved intact from the glorious period of the Romantic Ballet. Because it was recorded in detail by the choreographer Arthur Saint-Leon in his own dance notation system it could be revived faithfully for audiences to enjoy and students and scholars to study. The historical background of the piece - the period, the choreography, the style - has been provided by world renowned ballet histor...

First Published in 1983. Routledge is an imprint of Taylor & Francis, an informa company.

The author takes a new approach to teaching notation through movement exercises, thus enlarging the scope of the book to teachers of movement and choreography as well as the traditional dance notation students.Updated and enlarged to reflect the most recent scholarship and through a series of exercises, this book guides students through:movement, stillness, timing, shaping, accents travelling direction, flexion and extension rotations, revolut...

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This second edition of a well-known text book now offers an integrated package including exercise sheets and audio CD with a supporting Teacher 's Manual offered separately on the Web. The author takes a new approach to teaching notation through movement exercises, thus enlarging the scope of the book to teachers of movement and choreography as well as the traditional dance notation students. Updated and enlarged to reflect the most recent sch...

Provides a detailed account of the Cecchetti Method. Based largely on Ann Hutchinson Guest's notations from the 1950's and 60's, this book presents a complete record of the enchainements recorded in the manuals including some, which although not 'original', reflect important principles of the Method.

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How to write a successive movement in Labanotation, a movement that flows from one part of the body to another in succession, passing from joint to joint or vertebra to vertebra. It analyzes different forms of sequential movements, including the body wave often used in early modern dance. The book also shows how the notation has been applied in recording exercises and compositions by Shawn, St. Denis, and Humphrey.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

The author takes a new approach to teaching notation through movement exercises, thus enlarging the scope of the book to teachers of movement and choreography as well as the traditional dance notation students. Updated and enlarged to reflect the most recent scholarship and through a series of exercises, this book guides students through: movement, stillness, timing, shaping, accents travelling direction, flexion and extension rotations, revol...

The description and notation of various different types of objects, such as sticks, fans, swords, ribbons, and candles, and the ways in which they can be held or manipulated with the hands or other parts of the body.

The possibilities of exploring in Labanotation movements in which placement of body weight is of particular importance: balancing, shifting weight, leaning, and falling. Many examples from modern dance technique are included.

This issue completes the theory relating to movements on the floor, supporting on various body parts and transitions between such supports. It also gives a full account of revolutions of the body and their recording in Labanotation and offers many reading examples from choreography that features particular floorwork actions.

Specific details on notating a range of aspects of movement in Labanotation. These include finer intermediate directions, greater variations in writing paths of gestures and paths across the floor, defined intermediate distances, specific minor movements, motion versus destination, orientation according to various systems of reference, and defined areas and locations on stage.

The notation of hand movements ranging from broad general statements for the whole hand to detailed descriptions that necessitate defining use of a particular surface or edge of a specific joint or segment.

Canon Forms' shows how to write in Labanotation the choreographic device of canon, often used in stage choreography. It analyzes different forms of canon and shows how they have been applied in choreography by Balanchine, Taylor, and in movement choirs in Germany in the 1930s. This material gives insight not only into canon structures but also into how such complex movement for more than one performer is handled and laid out on paper.