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This original study examines the representation of the body in French New Wave films through discussion of a series of films by Jean-Luc Godard, perhaps the central figure of the French New Wave.

Establishes resonance as a critical and conceptual paradigm for film analysis

Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical lite...