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. . . A fascinating evocative soundscape: a long-drawn, hovering, gently undulating melodic line sustained high on the violin above an almost continuous, rhythmless susurration of piano sound produced by the fingers playing inside the instrument." - David Cairns, The Sunday Times, 13 May 1984

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The last 10 years of conflict have seen a dramatic increase of airspace users above the battlefield providing both opportunities and challenges to maneuver commanders. Assets operating overhead assist the commander in mission command, however, the additional airspace users also pose challenges to the maneuver commander's ability to employ organic surface fires. The primary research question this thesis seeks to answer is, "Does doctrine provid...

London - the presentHolly Smith has never fitted in. Adopted when just a few months old, she's always felt she was someone with no history. All she has is the address of where she was born - 32B Gambier Terrace, Liverpool. When Holly discovers that the flat is available to rent, she travels north and moves in. And in the very same flat, under the floorboards, she finds a biscuit tin full of yellowing papers. Could these papers be the key to he...

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Canary is multi-award winning playwright Jonathan Harvey's long-awaited return to the stage: a deeply moving, funny, unflinching, and often magical story about love, honesty and being brave enough to sing out at the top of your voice - with style. In 1960s Liverpool two lovers hide their homosexuality in the closet, then go their separate ways. While pits close and dole queues grow, a couple of runaways find Heaven in 1980s London. And today t...

Beautiful Thing" tells of the unlikely romance between Jamie and Ste in a comic portrait of adolescent self-discovery.

Mediante una vasta y variadísima selección de materiales interroga a esos creadores para desvelar aquello que tienen en común por debajo de sus a veces abismales diferencias, para mostrar que la misma musa ha permanecido activa e inalterable a través del tiempo y en culturas musicales radicalmente dispares.

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Commissionedby the Arditti Quartet with funds provided by the Arts Council of Great Britain and first performed by the Arditti Quartetat Ars Musica, Brussels on March 17th. 1989.

. . . a world of shimmering sounds and unusual moves. That world has a chaotic surface, yet there is an undeniable internal coherence and drama that engages the attention and the imagination. . . Mr Harvey's work, with its otherworldly textures, seduces the listener. James R Oestreich, The New York Times, 23 April 1991

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