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Scholars from ancient and early modern studies, art history, literary criticism, philosophy, and the history of science explore the interplay between nature, science, and art in influential ancient texts and their reception in the Renaissance.

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Bringing together in a sustained analysis the roots of subjectivity across media, Guy Hedreen offers a new way of studying the relationship between poetry and art in ancient Greece.

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An investigation into how imagery on Greek vases is or is not used as narrative, and the extent to which visual imagery depends upon literary sources

This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of ...