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A Companion to Shakespeare and Performance provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Essays by major scholars, teachers, and professional theatre makers consider the many sites at which Shakespearean drama is performed: in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms, and as part of a globalized and intercultural per...

In 1623, Ben Jonson touted Shakespeare as the soul of his age, three centuries later, a newspaper advertisement uses Shakespeare's reputation to market beer. Styled as "a collector's history", THE SHAKESPEARE TRADE offers an absorbing account of the role that the figure of Shakespeare and Elizabethan England play in 20th-century British and American cultures.

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance. An analysis of `leftovers¿, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.

A Companion to Shakespeare and Performance" provides a state-of-the-art engagement with the rapidly developing field of Shakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print, in the classroom, in the theatre, in film, on television and video, in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry in Shakesp...

In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions...

Shakespeare, Performance and the Archive is a ground-breaking and movingly written exploration of what remains when actors evacuate the space and time of performance. An analysis of `leftovers¿, it moves between tracking the politics of what is consciously archived and the politics of visible and invisible theatrical labour to trace the persistence of performance.