4 Ergebnisse.

Pietism was repeatedly confronted with the accusation that it was hostile to art. In the late 17th century, for example, ornate church music met with criticism from many Pietists. At the same time, they appreciated music as an important component of public worship, which should deepen the piety of the converted and appeal to the hearts of the unconverted. However, this was preceded by the conviction that the criterion for appreciating music wa...

In tracing theological approaches to music in the era between Luther and Bach, the author reveals the variety and tension in German Lutheran theology. Both dogmatism and devotionalism helped shape Lutheran spirituality. The introduction of Italian Baroque style into church music, however, evoked controversies which pitted Pietism against Orthodoxy and preachers against musicians. Joyce Irwin received her PhD in Religious Studies from Yale Univ...

In this current work, Foretastes of Heavenly Music: Johann Mattheson and Christoph Raupach on Music in Time and Eternity, Irwin provides translations and commentary for two eighteenth-century texts that illuminate the musico-theological foundation underlying the work of Lutheran composers such as Bach and Telemann.

Here one of the most widely read theologians of our time returns to the most basic question of all: God. Yet she does so with a twist. Soelle's work invites the reader on a personal quest for a new, world-embracing notion of God, one that can counter the gravitational pull of first-world people's political apathy, material acquisitiveness, and spiritual numbness.In these nine short chapters, Soelle seeks to leverage our incipient desire for so...