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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This w...

Excerpt from The Trinity College Apocalypse: A Reproduction in Facsimile of the Manuscript R. 16. 2 in the Library of Trinity College, Cambridge, With a Preface and DescriptionWe need not spend time in pointing out the attractions which the Apocalypse holds out to the artist. In his presentation of his message the seer has employed means essentially pictorial, the book cannot be read without calling up to the mind's eye a tremendous panorama o...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from The Trinity College Apocalypse: A Reproduction in Facsimile of the Manuscript R. 16. 2 in the Library of Trinity College, Cambridge, With a Preface and DescriptionWe need not spend time in pointing out the attractions which the Apocalypse holds out to the artist. In his presentation of his message the seer has employed means essentially pictorial, the book cannot be read without calling up to the mind's eye a tremendous panorama o...

Keine Beschreibung.

Keine Beschreibung.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from A Descriptive Catalogue of the Latin Manuscripts in the John Rylands Library at Manchester, Vol. 1: Numbers 1 to 183 LetterpressSince the date of the last acquisition described here, ' many additions have been made to the collection of Latin manuscripts. These will be dealt with in due course in a separate volume. Other volumes will treat of French, English, and other Western manuscripts. This is concerned only with the first port...

Excerpt from A Descriptive Catalogue of the Manuscripts in the Fitzwilliam Museum: With Introduction and IndicesIn the first place, I wish it to be clearly understood that, save in certain respects, my book is not meant to supersede Mr Searle's work. His Introduction, in which an extraordinary amount of most useful information has been collected, will always, I take it, have a value of its own. No book is known to me which furnishes more pract...

Excerpt from A Descriptive Catalogue of the McClean Collection of Manuscripts in the Fitzwilliam MuseumThis large class I have arranged according to the language Of the texts, thus (a) Latin, Patristic and Medieval, (o) French, (c) English.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books u...

Excerpt from A Descriptive Catalogue of the Manuscripts in the Library of St. Catharine's College, CambridgeThe old library of St Catharine's College is one of its lost posses sions. A catalogue of it exists in the oldest of the College registers, and was published by Dr Corrie in 1840, as the first of the Quarto Tracts issued by the Cambridge Antiquarian Society. A few words about this will be in place here.About the PublisherForgotten Books ...

Excerpt from A Descriptive Catalogue of the Manuscripts in the Library of Sidney Sussex College, CambridgeThere is an interesting matter to be noticed in connexion with this last. Among the books left by Archbishop Rotherham to his College are several which the Librarian of the University, Mr F. Jenkinson, has identified as printed books. He has kindly given me a note of a few, and will, I hope, in time complete the list. It is not often, I be...

Excerpt from Descriptive Catalogue of the Manuscripts: In the Library of Eton CollegeLastly, as to my own work. It has been a labour of love. The Eton Manuscripts were the first to which I had access. When I was an Eton boy, the College authorities generously allowed me to examine them. The kindness was a great one, and I hope it was not misplaced. The least I could have done in return was to put at their disposal such knowledge as they had he...

Excerpt from A Descriptive Catalogue of the Western Manuscripts in the Library of Clare College, CambridgeBiblical. One Latin Bible of the ordinary type, and a Greek Lectionary.Liturgical. An interesting Psalter from the neighbourhood of Peterborough, four Home (foreign), a Breviary of Norwich diocese, a good collection of Devotions (english), and a late Spanish service book.About the PublisherForgotten Books publishes hundreds of thousands of...

Excerpt from A Descriptive Catalogue of the Manuscripts in the College Library of Magdalene College CambridgePro]. Tonsured figure in pink over blue writing at desk, with knife.Gen. Initial the length of the page, containing eight medallions of fine work. 1 (top). Christ seated on L., rays proceed from His hand. 2. Seated on R., clouds and water on L. 3. Seated on L., tree and water on R. 4. Seated on R., sun, moon etc. On L. 5. Seated on L., ...