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Signs and Meaning explains historical assumptions about eighteenth-century art and performance, and the signs employed. It assumes that how artists thought they made art and how audiences thought they received it was how it was made, received, and understood. Eighteenth-century epistemological and rhetorical assumptions bring together meaning and practices of rhetoric, philosophy, literature, painting, dramatic performance, and music. Musical ...

A Glossary of John Dryden's Critical Terms was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Although John Dryden is, as Samuel Johnson described him, the father of modern criticism, his critical writings are difficult for twentieth-century readers to understand and appreciate....

In Rational Irrationality, H. James Jensen presents an effective way of teaching composition that is an alternative to current teaching methods used and taught by composition teachers at many colleges, high schools, and universities. Based on existing workshop models and artistic principles that professional writers have used for centuries, Jensen lays out in simple form, the ways in which a course in composition can be taught.