8 Ergebnisse.

Introducing an annual collection of essays devoted to South Carolina history and culture.From the Piedmont to the Lowcountry, South Carolina is the site of countless engaging stories. The contributors to Carolina Currents share those stories, broadening our understanding of the state's unique and diverse histories and cultures. A venue for public-facing interdisciplinary scholarship, each volume presents a collection of essays that illuminate ...

Exploration of the global spread of Eastern Orthodox practices from local settings and the resulting divergence of interpretations as a struggle over larger issues.

Tracing the development of Fielding¿s agendas, Johnson presents a compelling portrait of an author who claimed a place within literary culture for women¿s experiences. While Fielding often retreats from the overtly political concerns that captured the attention of her contemporaries, her works are daring forays into the public sphere that both c

This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Gongora, Quevedo, and Sor Juana), English drama ("King Lear" and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his re...

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New Contexts for Eighteenth-Century British Fiction' is a collection of thirteen essays honoring Professor Jerry C. Beasley, who retired from the University of Delaware in 2005. The essays, written by friends, collaborators and former students, reflect the scholarly interests that defined Professor Beasley's career and point to new directions of critical inquiry.

Christopher D. Johnson traces several thematic sequences in the panels of Aby Warburg's encyclopedic Mnemosyne (Atlas of Images), begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929.

This book offers a detailed, comparatist defense of hyperbole in the Baroque period. Focusing on Spanish and Mexican lyric (Gongora, Quevedo, and Sor Juana), English drama ("King Lear" and translations of Seneca), and French philosophy (Descartes and Pascal), Christopher Johnson reads Baroque hyperbole as a sophisticated, often sublime, frequently satiric means of making sense of worlds and selves in crisis and transformation. Grounding his re...