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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

Excerpt from Women of All Nations, Vol. 1: A Record of Their Characteristics, Habits, Manners, Customs and InfluenceWomen from the Rio Caiary, Uaupes, South America: Showing face and body painting, the most primitive form of ornamentation.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books us...

Excerpt from Women of All NationsThe first edition of this work, published in 1907-8, con sisted of two large quarto volumes, and contained a comprehensive survey of the position, life, occupations, etc., of woman throughout the world. In preparing an abridged, though, it is hoped, no less comprehensive, edition, care has been taken to preserve more or less intact those passages dealing with customs which are especially characteristic of parti...

Excerpt from Women of All Nations: A Record of Their Characteristics, Habits, Manners, Customs and In¿uenceWomen from the Rio Caiary, Uaupes. South America: Showing face and body painting, the most primitive form of ornamentation.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-...

Excerpt from Women of All Nations, Vol. 2: A Record of Their Characteristics, Habits, Manners, Customs and InfluenceThe important political part played by the women before the French Conquest is only one of the aspects of the situation. Among the Sakalava, as among the Anti merina and other tribes, are found unmis takable traces of a former matriarchate, a political economical system in which the man is subordinate to the woman. As the social ...

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve ...

James Joyce's peculiar and hilarious re-telling of Aesop's ancient fable of 'The Fox and the Grapes', as presented in Finnegan's Wake (1939), with forty-six accompanying colour illustrations by Irish artist Thomas McNally.