In MOTHERLOVER, many selves speak: sister, lover, mother, stranger. All speak, though, from one "body bearing up under puzzlement, " and they speak, not pretending to hear "angels in the music of a difficult landscape, " but with more imposing purport: to "weird the gray-scale quality of my life." Ginger Ko's poetry epitomizes poetry's purchase, its capacity to contest the pervasive forces of grayness, of uniformity and conformity. MOTHERLOVER...
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