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This is an essential standard tune that every student of jazz should know. Victor Lopez provides your band with the opportunity to learn this legendary song in a new setting with a few twists. The head of the chart is done in a Latin style, a hard-swinging rendition of the bridge follows, and there are solo spots for tenor and alto sax. A really nice chart at a very playable level. Easy (2: 24)

Commissioned by the Sacred Heart Jazz Ensemble in Salina, Kansas and director Milton Allen, this Victor Lopez original is exciting and challenging, yet playableand fun to play. Victor put those ingredients together and cooked them at grade 2. You may even hear a musical quote from a well-known Latin hit from the past. Contrasting ensemble sections, no improvised solos, and a hot line for baritone sax are but a few of the distinctive elements t...

A characteristic Lopez original for your earliest concert in the year. The Latin-based rhythm is the basis for this lively composition and there are numerous instructional opportunities for the introduction of style for your beginners. Extremely playable and solidly scored, you won't want to miss this selection to present a varied first concert. Highly recommended.

From the the pens of Bernie Taupin and Elton John, these are rock classics everyone will know. The medley includes "Sad Songs, " "I Guess That's Why They Call It the Blues, " "I'm Still Standing, " and "Don't Let the Sun Go Down on Me." Solidly scored at the concert band level by Victor Lopez, this one's sure to be a hit on your pops concert. (5: 27)

The initial eerie flute solo is joined by other members of the woodwind family, then the full ensemble, and the piece takes off! The energetic section builds to a frenzy interrupted with bright bursts of sound. The beautiful melody returns again in the trumpet, then low brass, building to a dynamic close. Real music for your young band. This one is certain to be a winner. (4: 36)