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Building upon the evidence that John Henry Newman's Parochial Sermons is a georgic (Lams, 2004), the current book defines and discusses the visionary georgic, a subset of the genre whose exemplars include Lucretius' De rerum natura and Wordsworth's The Prelude. Newman's visionary georgic defends Christian revelation against the rationalistic subjectivism that tended to displace religious faith by Wordsworthian self-exploration, leading to the ...

Far from being a random collection, the six volumes of Anglican sermons that John Henry Newman published between 1834 and 1842 were selected and thematically arranged to create a unified literary structure, one with the form and function of a prose georgic. Like the classical exemplars composed by Hesiod, Lucretius, and Virgil, Newman's Anglican Georgic offers moral reflections on human conduct in light of human possibility and addresses the e...

Robertson Davies's Cornish Trilogy: A Reader's Guide is the first book-length study of Davies's best work: The Rebel Angels, What's Bred in the Bone, and The Lyre of Orpheus. In The Rebel Angels, Maria and Darcourt alternate in narrating the novel's theme (obsession) before escaping from its grip by their mutual assistance, while other characters are less fortunate. What's Bred in the Bone narrates the artistic development of Canadian painter ...

This book begins with a survey of R. F. Delderfield's knowledge of Napoleonic history as revealed in his three Napoleonic-era novels. Two commentaries follow: the first on English attitudes and actions in a London suburb during the Interbellum (1918-1939) in his novels The Dreaming Suburb and The Avenue Goes to War, and the second on his Craddock trilogy, set in Devonshire, dramatizing the English experience from the Boer War until the late 19...

Focusing upon the arguments Newman uses to define Catholicism against the hostility of English protestants, this book is a reader's guide to the books Newman published soon after his own conversion: Mixed Congregations, Difficulties of Anglicans, Present Position of Catholics, and his two novels. While the arguments advanced in Difficulties of Anglicans and Present Position of Catholics are confrontationally direct, his novels Loss and Gain an...

The novelist R. F. Delderfield's trilogy of English life in the second half of the nineteenth century portrays the social history of Adam Swann and his family, energetic people of differing talents and tempers involved in a kaleidoscopic range of social engagements. Born into a military family but shaken by his army experience in India, Adam returns to civilian life in England and creates an innovative goods-hauling service across the country....

Challenging the view that Samuel Richardson's eighteenth-century epistolary novel Clarissa is a shapeless sequence of letters, this book argues that the novel has an action structure consisting of five act-like movements that emerge from the round robin transfer of narrative dominance: from the interiorizing drama enacted on the epistolary stage first by Clarissa's, then by Lovelace's self-reflections on just-past events, to Belford's more con...

Completing the survey begun in Lams' Cornish Trilogy volume, Aspects of Robertson Davies' Novels discusses the Salterton and Deptford trilogies along with Davies' last two novels, Murther & Walking Spirits and The Cunning Man. The apprentice effort Tempest-Tost and the journeyman's success Leaven of Malice were followed by Davies' first genuinely fine novel, A Mixture of Frailties, the story of a talented Salterton girl who becomes a world-fam...

Samuel Richardson's highly acclaimed Clarissa, commonly read as a courtship novel, is in fact a story about the transaction between Robert Lovelace, a pathological narcissist, and Clarissa Harlowe, his victim, whom he idealizes, yet is compelled to destroy. Anger, Guilt, and the Psychology of the Self in 'Clarissa' shows the narcissistic self-structure that explains Lovelace's anger and need for revenge. It shows, too, the process by which, af...