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Using a theoretical approach that utilizes work in literary studies, anthropology, feminist theory, and cultural studies, this book investigates how, in twentieth century China, the modern concepts of the new woman and the new writing developed into a protracted cultural debate over what and how women should and could write.

Examines the contradictory forms of authority at work in the autobiographical texts of modern Chinese writers and scholars and the way these conflicts helped to shape and determine the manner in which writers viewed themselves, their texts, and their work.

From Ah Q to Lei Feng traces the contrasting models of the mind provided by Freud and revolutionary Chinese culture, investigates their clash over the 20th century, and shows how writers and filmmakers negotiated with the implications of each.