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Features a study of the theatre forms that have developed since the late 1960s. This title considers them in relation to dramatic theory and theatre history, as a response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound.

Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann 's groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergen...