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Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She considers core oppositions-people and things, elegance and vulgarity, real and fake, lost and found-to tease out the ambiguities of material culture.

Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She considers core oppositions-people and things, elegance and vulgarity, real and fake, lost and found-to tease out the ambiguities of material culture.

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The past becomes readable when we can tell stories and make arguments about it. When we can tell more than one story or make divergent arguments, the readability of the past then becomes an issue. Therein lies the beginning of history, the sense of inquiry that heightens our awareness of interpretation. How do interpretive structures develop and disintegrate? What are the possibilities and limits of historical knowledge? This book explores the...

In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber, the goddess Disenchantment introduces the hero, Pao-yü, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yü that the purpose of his dream visit is "disenchantment through enchantment, " or "enlightenment thro...

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