8 Ergebnisse.

Following the death of St. Louis, a new court fashion of ostentatious display was introduced into French stained glass with the advent of Queen Marie de Brabant, who in 1274 became the second wife of St. Louis's heir Philippe le hardi. Little stained glass in this new style survives, since the very motifs that made it different -- large donor 'portraits, ' elaborate heraldry, lavish name-inscriptions -- were targets of vandalism. This study re...

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Keine Beschreibung.

The Gothic architecture and stained glass of medieval Lorraine developed strong regional characteristics which are considered unique today. This volume presents a study of Lorraine's surviving stained glass, focusing on Metz Cathedral and other cathedrals and rural parish churches in the area.

Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art.

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The present volume catalogues and illustrates all the stained glass produced before 1700 in the collections of Upstate New York. It includes the glass in the Albright-Knox Art Gallery and the Memorial Art Gallery in Rochester, in the Hyde Collection at Glen Falls, in Ithaca College, and predominantly in Corning, where the Corning Glass Museum is well known for its exceptional collection and where also Christ Episcopal Church houses two interes...

Lillch discusses all aspects of stained glass produced in France during the Gothic era. As well as analysing the iconography, style and hagiography of these major works of art, Lillich also considers glaziers, specific glazing techniques, grisaille and displaced panels. The papers study regional traditions, such as in Normandy, Aquitaine, Lorraine and Champagne, and the significant developments in stained glass during the late Capetian period.