11 Ergebnisse.

Polemic Paper from the year 2019 in the subject Philosophy - General Essays, Eras, grade: N/A. professional essay, University of Rome "La Sapienza" (CORIS), course: Journalism, Media and English, language: English, abstract: This philosophy paper argues for the need to bring back a meritocracy into our culture again. It debates the question of whether authority and leadership should come from merit and achievement or whether a person's life sh...

Academic Paper from the year 2015 in the subject Philosophy - Practical (Ethics, Aesthetics, Culture, Nature, Right, ...), The University of Western Australia (School of Visual Arts), course: Philosophy, language: English, abstract: The social effects of a "Libertarian" anti-individualistic post-modernism for us today, are meaningful and significant. Perhaps, many of us have heard about post-modernism? And some can say that we have read about ...

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Essay from the year 2008 in the subject Museum Studies, , language: English, abstract: The essay discusses the German philologist, archaeologist and historian J.J. Winckelmann's theoretical influence on the conception of the Classical museum model as defined and established by the Louvre within the nineteenth-century in Paris. From its initiation, the Louvre would furnish an example for the Metropolitan and for scores of galleries around the w...

Academic Paper from the year 2010 in the subject Art - Art Theory, General, The University of Western Australia, language: English, abstract: The paper focuses on explaining why today (conceptual) and post-conceptual art practices generated from specific theories during the 1960s and 1970s would precipitate the need for the decline of philosophical aesthetics in discussing today's contemporary art. Today, since "aesthetic experience is to be c...

Scientific Essay from the year 2011 in the subject Film Science, grade: N/A: Professional Lecture, University of Technology, Sydney (School of Design), course: MA Animation, language: English, abstract: This lecture 'Revising Animation Genres: Jan Svankmajer, Tim Burton and James Cameron and the Study of Myth' addresses the idea or concept of today's classification of genres for animation feature films and interrogates why this concept needs t...

Bachelor Thesis from the year 2000 in the subject Film Science, grade: 2.1, University of Reading (Dept. of Film/Architecture), course: BA Hons. Film and Drama/ Art and Architecture, language: English, abstract: Architectural space and form in Science Fiction Cinema often mirrors the identity of the individual occupying that space on the screen. However, in such films, it does more than just create certain ways of delineating (and connoting) a...

Seminar paper from the year 2011 in the subject Film Science, grade: N/A Professional Lecture, University of Western Sydney (School of Communication Arts, College of Arts), course: BA Design, language: English, abstract: From the beginning of photography, photographers had always attempted to produce photographs which could be accepted by the same criteria as painting. This was changed however by new people such as Moholy-Nagy, Rodchenko, Man ...

Scientific Essay from the year 2016 in the subject Communications - Media History, , course: N/A, language: English, abstract: Since the early twentieth century, civilization¿s obsession with the moving image has helped it to go backwards instead of forwards. Because of the nature of the way moving images are proliferated especially during our present age of digital expansion, the past and the history of the past produce a cultural amnesia whi...

Polemic Paper from the year 2016 in the subject Theater Studies, Dance, , language: English, abstract: Right from its first performance Ibsen¿s play has been misunderstood. From early on, "A Doll¿s House" until recently, (when it began to be used mostly as a vehicle for feminism and what had been called the ¿woman question¿), has not always been popular and a number of criticisms and misunderstandings have plagued it. Many had commented on the...

Throughout the mid-1970s until the early 1990s, video art as vehicles for social, cultural, and political analysis were prominent within global museum based contemporary art exhibitions. For many, video art during this period stood for contemporary art. Yet from the outset, video art's incorporation into art museums has brought about specific problems in relation to its acquisition and exhibition. This book analyses, discusses, and evaluates t...