19 Ergebnisse.

Der legendäre Konzertfilm mit "The Band" und vielen Gästen: Bob Dylan, Eric Clapton, Van Morrison, Neil Young, Joni Mitchell, Muddy Waters, Neil Diamond, u.v.m. Es war geplant als Konzert. Es wurde zum unerreichten Höhepunkt in der Geschichte des Rock: Mit The Last Waltz verabschiedete sich die legendäre Rock-Formation "The Band" 1976 von ihren Fans. Blues-, Folk-, und Rockgrößen erwiesen ihre Referenz: Bob Dylan, Van Morrison, Muddy Waters, J...

Keine Beschreibung.

Keine Beschreibung.

Keine Beschreibung.

San Francisco, Thanksgiving 1976: Im Winterland Ballroom zelebriert die US-kanadische Rock-Formation The Band mit einer großen Party und einem großen Konzert ihren Abschied von der Bühne.The Band - The night they drove old dixie downIt makes no differanceNeil Young - HelplessJoni Mitchel - CoyoteVan Morrison - CaravanEric Clapton - Further up on the roadMuddy Waters - Mannish BoyBob Dylan - Baby let me follow you down

Es ist der 25. November 1976. 16 Jahre Tour liegen hinter ihnen. Es ist das offizielle Abschlusskonzert von The Band. Sie wollen, entgegen allen Klischees und Mechanismen des RockNRoll-Zirkus, in Würde eine der größten Karrieren der Musikbranche bis heute beenden - mit einem fulminanten Schlusspunkt. Auf der Bühne, auf der alles anfing: Der Winterland-Halle in ?San Francisco. Es sollte ein Grenzen sprengendes, über fünfstündiges Konzert werden...

This expansive and incisive critical companion will serve equally as the perfect starting point and standard reference for all viewers, whether they are already familiar with the film or coming to it for the first time.

D.W. Griffith's controversial 1915 film The Birth of a Nation continues to have relevance for race relations in the United States. This work challenges the idea the U.S. has moved beyond racial problems and highlights the role of film and representation in the continued struggle for equality.

This volume (second of two), maps the historical and cultural contexts of film practices in Latin America. It explores the formation of the New Latin American cinema movement as a comparative national project. Essays are grouped by nation into two regions.

Ivan Dixon's 1973 film The Spook Who Sat by the Door captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, in...

Michael T. Martin is Professor of Cinema and Media Studies in the Media School at Indiana University, Bloomington. He is editor or coeditor of six anthologies, including (with Marilyn Yaquinto) Redress for Historical Injustices in the United States: On Reparations for Slavery, Jim Crow, and Their Legacies, and (with David C. Wall) The Politics and Poetics of Black Film: "Nothing But a Man." He also directed and coproduced the award winning fea...

Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and econ...

It happened on Halloween. The world ended.And a dangerous game brought it back to life.Seventeen-year-old Michael and his five-year-old brother, Patrick, have been battling monsters in The Game for weeks.In the rural mountains of West Virginia—armed with only their rifle and their love for each other—the brothers follow Instructions from the mysterious Game Master. They spend their days searching for survivors, their nights fighting endless ho...

Super 8 meets Friday Night Lights in this smart and action-packed coming-of-age novel from the author of The End Games, T. Michael Martin.Benji's lived his whole life in the same sleepy midwestern town—the same town his father grew up in, and his grandfather. But he wants nothing more than to put his past in the rearview mirror as soon as he graduates high school. Benji yearns for a Moment—the Moment that will redeem and transform his ordinary...

This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora ...

A collection of seminal essays that examines the arguments in favor of the redress movement in the United States.

A collection of seminal essays that examines the arguments in favor of the redress movement in the United States.

If you're looking for a map to start or improve your retirement journey, this little book may be just what you're looking for! In this book, you'll find simple and sensible suggestions for retirement planning. Thanks to the primer here provided by Randolph M. Martin and Michael T. (Todd) Martin, and based on their combined sixty years of experience in the field, you'll gain the confidence you need to start asking the right questions, and find ...

This volume (first of two), maps the historical and cultural contexts of film practices in Latin America. It explores the formation of the New Latin American cinema movement, its national and continental implications (diasporic/exilic experience), and the writings of pioneer film-makers.