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This collection of twenty-four essential essays written by Brian Massumi over the past thirty years is both a primer for those new to his work and a supplemental resource for those already engaged with his thought.

Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of...

There is no such thing as rest. The world is always on the move. It is made of movement. We find ourselves always in the midst of it, in transformations under way. The basic category for understanding is activity - and only derivatively subject, object, rule, order. What is called for is an 'activist' philosophy based on these premises. The Principle of Unrest explores the contemporary implications of an activist philosophy, pivoting on the is...

There is no such thing as rest. The world is always on the move. It is made of movement. We find ourselves always in the midst of it, in transformations under way. The basic category for understanding is activity - and only derivatively subject, object, rule, order. What is called for is an 'activist' philosophy based on these premises. The Principle of Unrest explores the contemporary implications of an activist philosophy, pivoting on the is...

Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of...

In Couplets, Brian Massumi presents twenty-four essays that represent the full spectrum of his work during the past thirty years. Conceived as a companion volume to Parables for the Virtual, Couplets addresses the key concepts of Parables from different angles and contextualizes them, allowing their stakes to be more fully felt. Rather than organizing the essays chronologically or by topic, Massumi pairs them into couplets to encourage readers...

Duygu, etkileme ve etkilenme gücüdür. Dünyaya acikligin bir ifadesi olan bu basit tanim, bir dünya soruya aciliyor. Etkilemek ve etkilenmek karsilasmada olmaktir, karsilasmada olmak ise maceraya coktan atilmis olmak. Duygu, bir öznenin icselliginde kapali kalan bir hissedis olmak bir yana, dünyanin olaylarina dolaysiz bir katilimi icerir. Duygu deneyimin yeginlikleriyle ilgilidir. Peki ya politika Politika, karsilasma maceralarindan baska ne o...

Brian Massumi is the author of numerous works across philosophy, political theory, and art theory. His publications include 99 Theses on the Revaluation of Value: A Postcapitalist Manifesto (Minnesota, 2018), Semblance and Event: Activist Philosophy and the Occurrent Arts, and Parables for the Virtual: Movement, Affect, Sensation.

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Brian Massumi is author of Parables for the Virtual: Movement, Affect, Sensation and Semblance and Event: Activist Philosophy and the Occurrent Arts.

There is no such thing as rest. The world is always on the move. It is made of movement. We find ourselves always in the midst of it, in transformations under way. The basic category for understanding is activity - and only derivatively subject, object, rule, order. What is called for is an "activist" philosophy based on these premises. The Principle of Unrest explores the contemporary implications of an activist philosophy, pivoting on the is...

The capacity to affect and to be affected'. This simple definition opens a world of questions - by indicating an openness to the world. To affect and to be affected is to be in encounter, and to be in encounter is to have already ventured forth. Adventure: far from being enclosed in the interiority of a subject, affect concerns an immediate participation in the events of the world. It is about intensities of experience. What is politics made o...

Events are always passing, to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstrac...

In seinen Texten diskutiert Brian Massumi die Praxis des Alltagslebens und der Kunst sowie die Erfahrungsgeflechte, über die wir mit der Welt als einem Spannungsfeld aus Freiheiten und Beschränkungen verbunden sind. Angesichts der uns zunehmend virtuell und immateriell umgebenden kapitalistischen Angst- und Wunschmaschine sucht Massumi mithilfe von Begleitern wie Bergson, Deleuze, Spinoza oder Whitehead nach Wegen und Handlungsspielräumen, die...

A major theoretical rethinking of intellectual models of embodiment, movement, and sensation.

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A major theoretical rethinking of intellectual models of embodiment, movement, and sensation.

Boasting an international mix of leading commentators, this incisive collection of essays explore Deleuze and Guattari's philosophy of expression in a number of contemporary contexts.

Erin Manning is University Research Chair in Relational Art and Philosophy in the Faculty of Fine Arts at Concordia University in Montreal. She is the author of Always More Than One: Individuation’s Dance. Brian Massumi is professor of communication at the University of Montreal. He is the author, most recently, of Semblance and Event: Activist Philosophy and the Occurrent Arts.